One of the oldest forms of Chinese opera, Kunqu is often known as the “Mother of Xiqu” because of the influence it has had on other xiqu genres and the way in which productions incorporate the high arts of literature and poetry. But as well as being known for its elegance and fine dramatic techniques, Kunqu is also an art form that embraces stories based on everyday life and human nature.

In this talk, Chinese opera scholar Chan Chun-miu looks at the development of Kunqu productions over time, and explores how stories of life and human nature have become central themes for the genre. Analysing the artistic characteristics of classic performances, he also investigates how Kunqu has influenced other forms of xiqu.

Date:
6 July 2019 (Saturday)

Time:
2:30pm–4:00pm

Venue:
Seminar Hall & Studio 5, 2/F, Xiqu Centre
(The talk takes place in the Seminar Hall with live transmission to Studio 5.)

Speaker:
Dr Chan Chun-miu

Language:
Cantonese

Fee:
Free admission. Limited capacity on a first come, first served basis. Please register online in advance.

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Enquiries:
Please contact Ms. Chan at (852) 2200 0812 or learning@wkcda.hk during office hours.

Accessibility Services:
Cantonese audio description and Hong Kong sign language interpretation are available upon request with at least 14 days’ advance notice. Wheelchair accessible seats and companion seats are available on a first come, first served basis. Please request with at least 4 days’ advance notice.

Adverse Weather Arrangements:
The talk will be cancelled if a black rainstorm warning or a typhoon signal no. 8 or above is in force at/after 10:30am on the day of the event.

About Speaker:

Dr Chan Chun-miu

Chinese opera scholar Chan Chun-miu obtained a PhD degree from The Chinese University of Hong Kong, and masters degrees from Hong Kong University and Soochow University (China). He has taught at City University of Hong Kong, The Chinese University of Hong Kong and Hong Kong Baptist University. His research and teaching areas cover Chinese opera and Chinese classical literature. He has published a number of academic journals and was the recipient of the Wang Guowei traditional opera essay prize. In addition to his academic work, he has studied Kunqu singing under professionals such as Koo Siu-sun, Cheung Lai-chun and Zhou Qin.

As vice president of the Concordia Kunqu Society of Hong Kong, Chan has given talks and lectures on Kunqu at universities in Hong Kong, Guangzhou and Shenzhen, and at various music societies and cultural institutions. He has also participated in performances as a singer (performing Kunqu, Qin songs and Songqi) in Hong Kong, China and the USA, and has released two recordings of his work.

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