Past Events
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The Heartless Men of Cantonese Opera
25.06.2019 to 23.07.2019, Seminar Hall, Xiqu Centre
In this series of two talks, theatre practitioner and critic Dr Cheung Ping-kuen examines the psychological and emotional journeys of some of Cantonese opera’s iconic “heartless men”, looking at the motivation behind their behaviour, and exploring the relevance of these characters for modern day audiences
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Seminar on the Culture of Ritual Opera Performance
23.06.2019, Seminar Hall, Xiqu Centre
Through four expert talks, this seminar explores regional and ethnic variations in the genre, style and practice of ritual opera culture in Hong Kong, Guangdong, Chaoshan and Hailufeng
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The Face Painting, Costumes and Props of Kunqu
22.06.2019, Seminar Hall & Studio, Xiqu Centre
Exploring the makeup and costumes of different role-types and characters, Chinese opera scholar Chan Chun-miu looks at how stage presentation lends richness and meaning to Kunqu performances
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The Face Painting and Costumes of Cantonese Opera
04.06.2019, Seminar Hall & Studio, Xiqu Centre
This talk looks at the face painting and dressing processes used in contemporary Cantonese opera, and at the ways in which costumes contribute to the portrayal of different characters
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01.06.2019, Seminar Hall, Xiqu Centre
In this talk, Professor Yu Siu-wah examines the concepts and characteristics of Cantonese opera music, offers insight into basic structures and arrangements, and discusses some of the transformations that have taken place over the centuries
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Reading Cantonese Music Notation
28.05.2019, Seminar Hall & Studio, Xiqu Centre
In this talk, members of the arts group The Gong Strikes One demonstrate how to read traditional gongche music sheets and perform live on the zheng (Chinese zither) and dongxiao (bamboo flute)
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25.05.2019, Seminar Hall & Studio, Xiqu Centre
In this talk, Dr Chan Chun-miu offers audiences insight into the distinctive sounds and melodies of the Kunqu art form, exploring the relationship between the use of dialects and the evolution of the art form, and the way that music and language is used to highlight different roles and characters
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07.05.2019, Seminar Hall, Xiqu Centre
Cantonese opera plays an important role in the lives of people in Hong Kong. This talk explores its transition from the use of Mandarin to the Cantonese vernacular, demonstrating vocal styles and techniques and offering a deeper understanding of the aesthetic features of the art form
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04.05.2019, Seminar Hall, Xiqu Centre
This talk looks at Cantonese opera in the social context of modern Hong Kong, and examines how elements of western-modern music, literature and film culture have been adapted for use in the traditional performing art form
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30.04.2019, Seminar Hall & Studio, Xiqu Centre
In this talk, Chinese opera scholar Chan Chun-miu looks at some of the literary texts used in Kunqu, and shares insight into Kunqu influence on xiqu songs and performance
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Between Cantonese Opera and Film: Connie Chan and Female Cross-dressing
27.04.2019, Seminar Hall & Studio, Xiqu Centre
Since the post-war years, the convention of nüwenwusheng – female performers playing civil and military male roles – in Cantonese opera has been a popular practice in Hong Kong. In this talk, Prof Li Siu-leung looks at the recent history of female cross-dressing in Hong Kong Cantonese opera and film, with special reference to Connie Chan Po-chu
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The Stories Behind the Xiqu Centre
09.04.2019, Seminar Hall, Xiqu Centre
In this talk, West Kowloon’s Executive Director of Performing Arts Louis Yu offers insight into the design and venue positioning of the Xiqu Centre, looking at the venue’s unusual use of space and its relationship with local Cantonese opera communities
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The Stage Movements of Cantonese Opera
06.04.2019, Seminar Hall & Studio 5, Xiqu Centre
This talk looks at how acting, martial arts and dance are combined in Cantonese opera stage movement to create patterns of formulaic gesture that help define character and contribute to the unfolding of plot
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02.04.2019, Seminar Hall, Xiqu Centre
This talk explores the wide range of musical elements used in Cantonese opera, looking at the different vocal styles used for male and female roles, and the use of percussive instruments and rhythmic melodies to enhance mood and narrative
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09.03.2019 to 24.03.2019, Seminar Hall, Xiqu Centre
Accompanying the China Theatre Association Plum Blossom Award Troupe performances, this screening series showcases the work of award-winning artists and the regional characteristics of different xiqu genres, and offers an exciting opportunity for audiences to catch some rare examples of fine xiqu cinema
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The Application of Nanyin in Cantonese Opera
05.03.2019, Seminar Hall, Xiqu Centre
Looking at popular nanyin excerpts, this talk explores the history and evolution of nanyin, a form of Cantonese narrative singing, as one of the delivery styles used in Cantonese opera
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26.02.2019, Seminar Hall, Xiqu Centre
In this talk, members of the arts group The Gong Strikes One illustrate with live demonstrations how the vocal and instrumental melodies of nanyin are created and developed based on the lyrics
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Xiqu Film Screenings (February)
09.02.2019 to 24.02.2019, Seminar Hall, Xiqu Centre
Featuring seven Cantonese opera films produced in Hong Kong between 1948 and 1962, this screening series explores the complex relationship between on-stage and on-screen personas of some of the most renowned stage artists of the time. Also included is the award-winning contemporary documentary My Way, chronicling the struggle of two aspiring Cantonese opera actors
Tickets now on sale
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Xiqu Film Screenings (January)
26.01.2019 to 27.01.2019, Seminar Hall, Xiqu Centre
Accompanying our Grand Opening performance The Reincarnation of Red Plum – an acclaimed production by Hong Kong’s legendary stars Yam Kim-fai and Pak Suet-sin – this screening series presents three comic Cantonese opera films showing the magical Yam-Pak chemistry on screen
Tickets now on sale
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The “Analects” in Cantonese Opera
24.01.2019, Seminar Hall, Xiqu Centre
In this talk, Cantonese opera playwright Woo Kwok-yin shares insight into the creative process behind his work The Peregrinations of Confucius, and explores how xiqu as a multidisciplinary art form can breathe new life and relevancy into classic texts
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06.01.2019, Seminar Hall, Xiqu Centre
Between 1940 and 1970, a large number of stars from the Cantonese opera stage entered the film industry in Hong Kong. This talk looks at the impact of this phenomenon, and the importance of Cantonese opera films as historical records of performances from that era
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Pre-opening Gala Film Screenings
30.12.2018 to 06.01.2019, Seminar Hall, Xiqu Centre
To complement our Grand Theatre performances we present five Cantonese opera films produced between 1957 and 2011 and featuring some of the legends of the golden age of Cantonese opera film
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30.12.2018 to 06.01.2019, Xiqu Centre
Explore our new facilities and discover fun facts about the rich art of xiqu on our 60-minute guided tours
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Cantonese Opera in the Hong Kong Religious Context
05.01.2019, Seminar Hall, Xiqu Centre
Professor Chan Sau-yan, expert on the musical structure, performance practice, ethnographic and historical aspects of Cantonese opera, looks at the tradition of religious operas in Hong Kong, and the challenges of preserving an ancient art form in a market-oriented economy
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Perfect Wives in Cantonese Operas
04.01.2019, Seminar Hall, Xiqu Centre
Cantonese operas are often based on stories of love and married life. The wives in these tales may be meek and loving or powerful and cunning. This talk looks at some of the Xiqu Centre opening performances to explore what makes a “perfect wife” on the Cantonese opera stage
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The Functions and Practice of Xiaoqu (short tunes) in Cantonese Opera
03.01.2019, Seminar Hall, Xiqu Centre
Melodic and song-like, xiaoqu can incorporate traditional instrumental melodies, folk songs, contemporary pop songs and even theme tunes from films and TV shows. This talk explores the origins and development of xiaoqu and its unique function in Cantonese opera
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