This year’s “What Is Stage” series culminates with a 4-day artist seminar led by Jan Pappelbaum that offers twenty-five participants the unique opportunity to talk with him in-depth about the interconnection between aesthetics, text and visual representation in his work.
To ensure a rigorous level of discussion, seminar participants are required to attend at least six of the prior Screening and Discussion series on Pappelbaum’s work and artistic concepts. (Workshop participants are strongly encouraged to attend all screenings if possible. Due to copyright arrangements, no other screenings will be provided.)
Participants will be selected by West Kowloon and Edward Lam Dance Theatre.
6 to 9 August 2018 (Monday to Thursday)
Studio Theatre, The Hong Kong Academy for Performing Arts (1 Gloucester Road, Wan Chai, Hong Kong)
Jan Pappelbaum (Head of Stage Design, Schaubühne, Berlin)
Conducted in English
Number of participants:
Mr Yau: (852) 2200 0091, firstname.lastname@example.org
The organiser reserves the right to change the programme content and speaker. All changes will be announced on the website.
Overseas participants must shoulder their own travel and accommodation expenses.
Details to be announced during the Screening and Discussion series
Adverse Weather Arrangements:
If a black rainstorm warning or a typhoon signal no. 8 or above is in force three hours before the start of the event, the workshop will be postponed until the following day.
About the Speaker:
Photo: Silke Briel
Jan Pappelbaum was born in 1966 in Dresden, former East Germany. Between 1988 and 1993, after training as a bricklayer, he studied architecture at the Bauhaus University Weimar and at the Vienna University of Technology. In Weimar, parallel to his studies, he worked as a set designer for a Faust project, helping to create a separate temporary theater space for the performance, and making contact with young directing students from Berlin with whom he still collaborates today.
After graduation, Pappelbaum began his career as a stage designer, working mainly in unconventional theatre spaces where the stage architecture could be specially designed for each production, for example with Thomas Ostermeier in the Baracke, the alternative performance space of the Deutsches Theater in Berlin, with Andrea Moses at the Fabrik-Theater in Dresden and with Robert Schuster and Tom Kühnel in the Bockenheimer Depot in Frankfurt am Main.
Since 2000, he has worked as stage designer and head of installation with director Thomas Ostermeier at the Schaubühne Berlin, where the unique performance spaces can be adapted to fit the staging requirements of each production. At the Schaubühne, Pappelbaum has created nearly fifty set designs, both for Ostermeier and other directors such as Falk Richter, Tom Kühnel, Patrik Wengenroth, Armin Petras, James McDonald and Constanza Macras. He has also produced sets for productions in Avignon, Amsterdam, Moscow, Lausanne, Tallinn and Vienna. Since 2014, he has created sets for opera productions by director Andrea Moses in Berlin, Stuttgart, Weimar, Salzburg and Vienna. Pappelbaum accompanies many guest performances of his work and has led workshops in Moscow, Venice, Oslo and Ramallah.
Low is the Head of Theatre at the West Kowloon Cultural District Authority. He is responsible for formulating the district’s artistic direction and strategies for Drama and Theatre Arts.
In this role, Low has overseen the launch and co-presentation of several projects and programmes that engages in new discussion and discourse around contemporary modes of creation.
Before joining West Kowloon, Low was the Artistic Director and General Manager of the Singapore Arts Festival from 2009 to 2012. He was also General Manager of the Singapore Biennale from 2005 to 2009.
Artistic Director and Theatre Director of Edward Lam Dance Theatre. He founded Zuni Icosahedron with friends in the early 1980s, and established Edward Lam Dance Theatre during his residence in London (1989 to 1995). Since returning to Hong Kong in 1995, he has devoted himself to theatre and directed 58 original works. Lam was awarded the Best Director in Modern Drama Valley’s One Drama Award in 2010 for his work Men and Women, War and Peace, and in 2012 for The Doppelgänger, and in 2017 for What is Sex. Lam was give the Artist of the Year (Theatre) award by the Hong Kong Arts Development Council in 2017. His latest work, Why We Chat will re-run in Hong Kong in June 2018.
Recent books include Leading Ladies of the Mandarin Cinema (2014), and his first book on directing, Who is Afraid of Edward Lam, published by Performing Arts Review in Taiwan in 2016.