Hong Kong-born Chan Kwun-fee graduated from the School of Creative Media, City University of Hong Kong and has a background in multimedia and critical theories training. Currently a theatre creator, director and traveller, she is also the artistic director of Littlebreath Creative Workshop. Chan’s work explores contemporary theatre and transdisciplinary performance, taking the body as subject and medium for creating space and experience. Recent projects includes Hong Kong Repertory Theatre’s Project Seeing (2020), Only When You Sleep, It Works (2019), Kassandra or the End of the World of Representations (2018) and Present Absentee (2014). Her curatorial projects includes Our Land, Our Sea (2020), Where is Our Sea? A Rhapsody of an Isle (2018) and Heptahedron (2015).

Hong Kong-born artist Fiona Lee’s work is derived from the intersection between installation and performance and inspired by the act of listening and the exploration of new possibilities. Her recent research into naturopathic therapy and the organon of healing art has inspired her to create by learning to listen to and be aware of the body and mind to heal disease. Lee’s installations have been featured at a number of art festivals, including Fishpond Canteen Sustainable Art Festival , Playfreely Festival (Singapore, 2019), ART CAMP TANGO 2017 (Japan), Jockey Club ifva Carnival Everywhere – ifva Carnival 2016 (Hong Kong), Around Sound Art Festival 2014 (Kyoto, Japan), Transi(en)t Manila Project Glocal 2014 (Manila,Philippines). She has also performed in a number of festivals and gigs, including Intersection In MidAir (Hong Kong ,2019), Asian Meeting Festival 2016 (Japan), HK Street Music Experimental series, and Kill the Silence festival (Hong Kong).

Freelance sound designer, artist and field recordist AK Kan graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts in Theatre and Entertainment Arts (major Sound System Design). He is currently curating the sound recording project “AK IN KK – Nature Field Recording HK”. Recent projects include: Jockey Club ifva Everywhere New Work Series Birds Sing Louder in the City, Touring Performance – Found Without Seeing, dance performance – Yin Yu Chun Fai; Little Smudges Theatre’s The Beauty of Dot; immersive theatre projects at the Fringe Club – Lingering in Time and Stream of Consciousness; HKAPA Academy Festival 2017: School of Dance Spring Performance and Ocean Park Halloween Fest (2014–2017). He also designed the sound for Dialogue in the Dark Dialogue Experience (2019) and for A Thousand Plateaus (Freespace, 2021).

Hong Kong-based artist Natalie Lo Lai-lai works in moving image, photography, mixed media and installation. Her interests lie in ecological art practice, and she is currently a learner at the collective organic farm Sangwoodgoon in Yuen Long, where she seeks alternatives and autonomy as an artist and a Hongkonger. Lai Lai finds her interests in food, farming, fermentation, surveillance, and meditation.

Lighting designer Wong Ka-ki graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honours) degree in Theatre and Entertainment Arts, majoring in Lighting Design. Her recent work includes Tang Shu-wing Theatre Studio’s The Rape of Lucrece, Nobodies Theatre’s Root, Hong Kong Chinese Orchestra’s The Neon City, East-side Dance Company’s Deep Edge, Antenna Imagination Boom 5 (recorded version); Riceball Association’s Starry Starry Night, The HER Story and A Diary of a Girl’s Happiness (7th run); and Cinematic Theatre’s After World. She also worked as production electrician for Theatre Ronin’s Aquamarine, Practice of ZEN: Director’s Cut and Hoichi the Earless (recorded version).

Multi-professional freelancer, in stage management, lighting, sound and visual.

Recent projects include: West Kowloon Freespace: Phygital D, Freespace Jazz Fest, ON VIEW: Panoramic Suite, A Thousand Plateaus; Freespace x Edward Lam Dance Theatre: Hello, Baoyu.

Hong Kong-based choreographer and performer Paula Wong Pona graduated from the Chinese Culture University in Taipei, where she majored in Contemporary Dance. In 2022, she became an artist in residence with Unlock Dancing Plaza. Wong’s latest productions Men Act, Women Appear and Kerry & Frieda (2020 – 2021) explored expectations of the female body and the perspectives and power of the gaze. Previous choreographic work includes Tree (2019) and Behind You (2018). Wong’s collaborations with local artists include Chan Wai Lok’s Reverie (2022), Joseph Lee’s Drifting (2021), Sharon Tam’s Untitled (2020), and Pewan Chow’s Maze 3.0 and Tenacity (2019).

#Appearance by kind permission of Unlock Dancing Plaza

Ho Ming-yan graduated from Hong Kong Academy for Performing Arts majoring in Contemporary Dance and Choreography. She creates and performs in dance education and creative movement projects, collaborating on multi-disciplinary work with artists from various backgrounds. Recent creations include Day-Daycare, Night-Night Care (The Hong Kong Art Centre), Hey!Goodbye.! (PassoverDance : SOIL II), Mega Human Dancer (curated by Cally Yu). Ho has also performed in the following projects: Y-Space Body I.D Space (Shanghai tour), Littlebreath Creative Workshop Future Performing Arts Lab and Our Land – Bus to the Wild, No Bodies Theatre ONE IN ALL / ALL IN ONE, Passoverdance Hear, We Dance, Chloe Wong May Be Tomorrow, Wayson Poon Untitled III and more.